#they're literally just two sides of the same coin

[realasslesbian]

So subsequent to being a robodebt victim I sort of fell into this funk of ‘not only is there no point in trying, but in fact it’s better if I don’t, bc every time I have ever tried to do something good it’s backfired horrifically, so I’m just going to make like a tree and exist, no trying to do anything for myself, just drink some water, get some sunlight, and that is all’. And recently, after a few years of living a tree-like existence, I thought ‘you know, this is illogical, like there is no rational correlation between ‘trying’ and the universe taking a big shit on you, let’s just try again, yeah?’ So I signed up for a one hour a week job and the Australian government took that as an excuse to call up all of my previous employers of the last decade to ask for payslips and as an aside tell them all I’m homeless. Additionally all my online government accounts are being overrun with entirely fake income data from a century ago, not to mention apparently thousands of dollars in superannuation I have never had. And the logical part of me is just like ‘ok cool yeah, obviously they’re mistaken, someone just got their wires crossed, it’ll work out’, but that’s exactly what I told myself the last time a whole bunch of fabricated data was flying around my government accounts bc of robodebt, so I already know what’s coming. In conclusion: irrational belief system confirmed✅

[nenoname]

Details in Stan's letter that still haunt me

(how long will I continue thinking about a two page letter that's technically not even that long because Stan's handwriting is fricking large? .....you don't need to worry about that.)

The bro code only shows up in the Lost Journal pages, and to me Stan's message feels like it purposely echoes Ford's "miss you" in the college photo (and for some reason the message doesn't appear in the website version of the photo?) ....or alternatively Stan simply noticed how distressed Ford was about this entire thing and wanted to support him in a way so he can be sappy but without the kids knowing, or both!

Stan's claim about the Oregon lottery contradicts what the Lost Legends website said about Tate McGucket's ability to predict the winning numbers!! ...but also breaking into the Lottery HQ is definitely a very Stan thing to do and it's not the first time small gags have been retconned

Despite spending most of his letter nonchalantly destroying him, the taunt about ripping a dollar bill in half is the only part where Stan is directly responding to Bill. Maybe it's the two of them having similar ways of thinking but it's rather specific considering Bill taunts the reader about it...

And after Bill spends an entire book calling Ford Sixer despite normally using a pretty wide range of nicknames for him, Stan then spends his letter mainly referring to Ford as Sixer, even though post-Weirdmageddon he tends to use a mix of nicknames. And it's not like he'd gotten to see Bill himself for long, let alone see him steal that childhood nickname (that is only used twice in the actual show btw!). Did Ford tell him what happened or...?

With all this and the website's "still on your mind" message, what I'm getting at is my tinfoil hat theory of Stan somehow seeing some of the pages the irl readers saw, even when it should be personalised to the specific reader, and he's been lying about it for some reason. Considering that the book flat out doesn't make an attempt at convincing Soos, I find it a stretch that whatever Bill was telling Stan via the book was an attempt to convince him either.

Wouldn't be the first time Stan's skimmed through a book and lied about what it meant to him.

(...Now I kinda wanna see a story about the family reading their versions of the book and making fun of it while Stan is improvising every single one of his pages and blatantly ignoring Bill's attempts to mock and taunt him)

But also I'm fascinated by the letters that only showed up on the website (aka the Soos+Wendy+McGucket+Pacifica ones). I'm assuming that Mabel had stuck them on after Stan's letter... but they were basically eaten by the book itself because seeing Stan's letter kick-started Bill's breakdown which takes up the rest of the book

[eggs-can-draw]

dooooooble while watchin v3

[felixvanhuss]

Oh yeah, does anyone want to see my Fallen London oc? (I have 2 FL ocs, this is just the one I've drawn lol)

Their name is Vic Moore and I am sorry to the Tumblr poll I ran, but I did not like how they looked with tits larger than this lol. They use they/them pronouns and are a huge idiot (affectionate) They do know a thing or two about the Shapeling Arts so maybe their tits change in size idk

OH! The outfit was almost entirely designed by my sister @capn-merca because she's better at costume stuff than I am

[chronicowboy]

top 9 characters of 2023

tagged by some beautiful people @diazass @llovely @binickmiller and @eddiebabygirldiaz <33

tagging some more beautiful people @danielsousa @poughkeepsies @shitouttabuck @jjudaslips @piningeddiediaz and anyone else who wants to do it!!

[raazberry]

i have so many strong feelings abt kaveh i need hyv to release him from their basement already

[yearsofsolitude]

Kenstewy is the most efficient gateway drug to Kenrava btw

[anonymouscomrade]

What about other dangers to babies, like boogeyman attacks and Krampus abductions? You know, while we're talking about shit that doesn't happen

you're not allowed to harvest the organs of a corpse unless it gave you explicit written permission to do so when it was still alive, no matter how badly the guy down the hall needs a new kidney. why should women have less say over what happens to their own bodies than the dead?

[lxkeee]

TWO SIDES OF THE SAME COIN

-PART THREE

Pairing: Lucifer Morningstar x Seraphim Angel! Fem! Reader

Fandom: Hazbin Hotel

Genre: Angst (for now)

Warnings: Daddy issues.

Notes: Fun fact... The reason I titled this as two sides of the same coin as I was originally planning on making the reader being Azrael's wife and would be [y/n] Eveningstar as Azrael's last name would be Eveningstar 🧍but decided not to lmao.

PART TWO | PART FOUR | NAVIGATION

Charlie stood nervously at the podium, angels above her already judging her. Her eyes noticed the door to the courtroom opens, a familiar angel she met awhile ago, an angel that looked like her father. Xavier was it? If she remembered correctly. She watched as the boy flew up and took his position on the other side of Sera, Emily on the other side of the woman, the older woman in between the two young seraphims.

Charlie could feel the [e/c] orbs staring at her as the boy looked down on her (literally as he was sitting above her).

The meeting began.

Charlie was really hoping to win these angels over, hopefully her brother could help.

But she was slowly getting more and more nervous as the boy looked like he was getting bored from this meeting, the meeting clearly didn't meet his expectations.

Xavier just looked down, eyes half-lidded as he looked at the girl with boredom. All he could see is a plan without enough foundation to work, baseless claims that the hotel will work.

What annoys him is that this is the very same ambition his father proposed years ago. He wasn't there during the meeting but his mother told him about it.

The idea is ridiculous. Sinners were given a chance to live an honest and good life but decided to mess it up and now they're looking for a way to redeem themselves?

Xavier was close to falling asleep in the middle of it, suddenly something caught his interest. Emily, Charlotte, and Sera were arguing but Lute and Adam suddenly butted into the conversation and managed to slip up and revealed a secret.

“A man only lives once, we'll see you in one month... gotta say I can't wait to... Come down and exterminate you.” Adam says mockingly along with Lute.

Xavier's eyes widened, jaw dropping. Looking around to see if he heard it right and base on the others reaction, he heard it right.

The rest of the meeting went by a blur, another secret was revealed and Vaggie, Charlotte's lover was a former exorcist and is a fallen angel.

Frankly, he doesn't care about that. Xavier can only cover his mouth in shock, still in disbelief that these killings are happening without the others knowing.

Heaven is a lie.

Charlie looked at her supposed brother, a slight surprised look on his face. Clearly in disbelief. She couldn't tell if he's mad or not.

Oh, he's mad alright. Mad that a lie this big has been hidden away.

Beyond furious, Xavier glared at Sera. Charlotte and her lover were teleported back to hell after a snap of Adam's fingers.

Killing of souls, damned or not they have no reason for doing this.

Xavier decided to attend the court meeting, curious what fantastic or foolish ideas his half sister had to show them. He didn't expect that this meeting ended up revealing a very heavy secret.

Currently he is comforting Emily as the girl glares at Sera, “Please, if you start to question... You could end up like Lucifer... Fallen.” Sera says, her voice trembling slightly.

Xavier's glare hardened when the older woman mentioned a certain man he hated, Xavier just glared at Sera as the woman gave Emily a kiss on her forehead, he doesn't like how the high Seraphim is hiding a secret this big.

“Xavier.” Sera calls out to him sternly, the boy just gave the woman a raised eyebrow as his face returns to being emotionless. Sera felt chills running down her spine, Lucifer's face is unfortunately plastered on this boy's face, the fallen angel was his father after all.

“I hope you don't tell anyone about this. Especially your mother.” She pleaded and Xavier scoffs, a slight mischievous smile on his face, “Or what? Gonna cast me out to like what you did with my birth father?” he asked sarcastically, Sera's eye twitched.

“Of course, not. That isn't an enough reason to cast you out. Just... Please don't tell her.” the woman explained and Xavier scoffs.

“I love my mother and I can't bear to lie to her face, she already had enough of that. Just expect that this will reach the seven's soon.” He explained before eventually flying down and leaving the courtroom, not giving the woman a chance to speak.

Sera wanted to reach out and stop the boy but he was already gone, lowering her hand slowly. Sighing. He really is Lucifer's son, stubborn.

After all, the apple doesn't really fall far from the tree.

They're just lucky that [y/n] was able to raise the boy properly and was able to inherit most of his mom's personality. The looks however, are unfortunately from his dad.

Sera sighs again. Mentally preparing about the possibilities of what will happen if the seven virtues' know about this.

Charlie's mind was a mess after that meeting, Vaggie gave her some time and space to process everything of what happened.

She can't believe the love of her life is a fallen angel and worse, an ex exorcist! She hid something this big from her! And on top of that, she has a half older brother in heaven?!

Charlie groans, going underneath the covers as she lies on the bed.

She knows the older boy didn't lie as he literally had her father's face except for the eyes and height but everything else was an exact replica. Charlie can't help but be jealous, she could tell how much better the boy was compared to her, the boy carried an air of authority around him.

She feels guilty, she's not stupid. Her dad had that boy while he was in heaven and obviously with someone else, another angel.

Charlie wonders what kind of life her half brother is living up there?

What she does know is that the boy harbors some kind of hatred for her and her family. The boy didn't fully express it but Charlie could feel it, the bubbling rage beneath his exterior when he saw her.

She'll have to ask her dad about this later, once she's mentally okay.

Xavier returned back home, the mansion empty as his mother is away, and they don't have any servants as they prefer a quiet life.

Walking to the living room, his eyes gazed at the large portrait that was displayed on the wall of the living room—a portrait of him and his mom. Him standing at her side while she sat on a regal chair, both of them matching clothes—their heaven uniforms.

His eyes softened, he felt exhausted. Training with his uncle, meeting his half sister, and a secret Sera hid was revealed.

He can't wait for her to come back home, he needed to tell her all about this.

TAGLIST:

@valerie-36 @blackbleedingrose @adaizel @xx-all-purpose-nerd-xx @thedarkkitten @selvyyr @froggybich @brithedemonspawn @kottenox @totallymitya @many-fandoms-lover @dou-dou @mezzyb0nb0n @n1chxyaaenthusiast @cherry-4200 @koirb @galaxyj3lly @crystalplays28 @luleck @scootinonyourmom @rory-cakes @mixplara @crescent-z @bitchyzombienacho @kalisha2004 @altervex @nehy019 @napbatata @kouyoumarryme @sxgacxbe @kooidoom @ok-boke @random-3455 @izzieg3987 @snoozewritezz @dreamzaremyrealityy @hcneyiced @witchbunny1210 @ghostdoodlen

[sunnythanalan]

One of the best

I have been thinking about Erenville a lot and how the narrative allows us to really get to know him through the quiet moments. Through action rather than spoken words.

His mother calls him a fussy little bunbun, which is funny to begin with as we know him so far to be a taciturn and practical man. But while we travel with him we discover that he has suffered abandonment all throughout his life; first by his mother leaving him in care of others as she traveled herself, then by sending him away on his own travels, then further upon his return when there is a literal screen between them. The symbolism here is unmistakable. 

Then, as we progress, it becomes quite clear that Erenville suspects that there’s something wrong with his mother. Instantly he’s on the defensive, citing that her whimsy and overwhelming personality always overshadow his own wishes, and that he struggles to understand her, also to trust her. His quiet stoicism isn’t that funny anymore. 

In an ironic twist we discover that she has left him one last time, to the land of Living Memory. Even if it was never her intention to leave him in such a way, it must be hard to overcome that sense of continuous abandonment - and this time he has to say goodbye forever. That he draws away from everyone else to grieve and come to terms with this in solitude speaks volumes. It really indicates that he dealt with difficult emotions alone a lot while growing up, and in such a way he never learned how to rely on others. In the end, when finally pressed to the breaking point, Erenville lashes out in anger as the tools he made for himself fails him in processing all of his grief and fear alone. He has to find the courage to trust his mother with his emotions and that just as she's leaving him one last time.

Wuk Lamat is always right there in your face going through her emotions and leaning upon others for support, on the other side is Erenville, who draws back with his pain. We learn to know him just as deeply as Wuk Lamat, but through everything that isn’t said, rather than what is said. In fear of sounding effusive, even their appearance symbolises this: they're golden dawn and darkening dusk. Two sides of the same coin.

Honestly, personally to me, Erenville is one of the best written characters in this story so far. I love him deeply. I cried so hard for him.

PS. His love for his mother becomes so clear in the love he pours into the fauna that she mentored him in. While working as a gleaner, he's probably as close to her as he can be when she's physically not there. In the moments we see him care for animals his entire countenance changes, he becomes soft and caring, even exuberant and joyful.

[wordsinhaled]

remember in the SECOND EPISODE of merlin when gaius was all, "merlin, i’m sorry but your word counts for nothing because you’re a servant and no one will care what you have to say"

and then merlin came to arthur and arthur was all SWEAR TO ME THAT WHAT YOU SAY IS TRUE and THEN I BELIEVE YOU and then he went to his father and assembled the whole court so that merlin's concerns would be heard, because he shared them

remember when even after not being able to substantiate the claim and firing merlin he still believed that what merlin said was the truth. remember when even after being sacked and sent away merlin came back to warn arthur

remember when arthur was all “my father will never apologize to me for being wrong” and then turned right around and APOLOGIZED TO MERLIN (his manservant!) and ADMITTED HE WAS WRONG. remember when uther was all, you care about some manservant's opinion??? and arthur was all, well yes, obviously, because merlin's a fucking person. remember when arthur saw merlin as a person when all his life merlin has felt different and other and confused about who he is and what he is

and also, again, all of this was in the SECOND EPISODE

remember when in the second episode arthur already showed he'd be a better ruler for albion than uther ever was, even back then when arthur was still so young at heart and had so much learning and growing still to do

remember when this all foreshadowed how he would take (and even ask for) merlin's perspective and advice later, during crucial moments for the kingdom

okay. and also since i'm here

THERE'S SOMETHING ABOUT YOU, MERLIN in the first episode (the first episode!!!)

and

the way merlin is all "you have the wrong person" this and "arthur's an idiot" that but as soon as he hears confirmation that arthur is his destiny he's THROWING himself in harm's way (literally) for arthur, he's cheering for arthur in tournaments, he's worrying about him

arthur is the one who started a second confrontation at the marketplace - not merlin. because he was curious about him. because he wanted him in his life and didn't even understand why yet

because he can feel it; they can both feel it

THEY'RE TWO SIDES OF THE SAME COIN!!!! soulmates!!!!!!

okay, and listen. listen

thinking about arthur's journey from anger to acceptance to gratitude once he learns about merlin's magic, and how on some level you'd think that would change their dynamic forever because arthur would feel he could never make it up to merlin for all the ways he'd saved and supported arthur and the kingdom. and maybe arthur might feel that way for a while. but the fact of the matter is that arthur has always treated merlin as more than his manservant. from day one. FROM DAY ONE

merlin would have served arthur for the rest of his life!!! he would have been his court sorcerer!!! okay! he was ready for that! he was ready to see arthur white-haired and wise in his old age and he would have been at his side then still helping him dress even though he doesn't need to anymore, arthur's got other servants for that, and merlin's got other duties now, and arthur would say, shouldn't you be in your tower, dollophead? even while shrugging into the jacket merlin holds out for him, and merlin would respond i should, my lord even while fastening the clasps of arthur's cloak and it would be everything and nothing like old times

god, do you ever just think about THEM and have a whole Situation because... THEY

[edwardallenpoe]

wait. Wait. What. People are saying that??? Have they WATCHED Good Omens????

Aziraphale is SOOO intelligent. He is SO compassionate, he is so kind, hell, he can PHYSICALLY FEEL EMOTIONS (take his reaction at the nun/training facility) and yes, he is totally autistic coded and the way he processes and expresses emotions are affected by both his TRAUMA (did we forget about the SIX THOUSAND+ YEARS OF TRAUMA THAT ANGEL HAS PACKED IN HIM???) and neurodivergent traits. Not only does that affect him, but, like, up until the end of the first season, he was completely and utterly tied to Heaven and the threat of damnation and destruction loomed not only above his head but Crowley's, and even though they're technically not employed by heaven and hell, they still have that lurking fear that heaven/hell can pop up any moment, and season two's WHOLE PLOT is trying to not get destroyed by heaven/hell!! Sure, Aziraphale might not know about The Book Of Life, but he damn well knows that he could FALL, or GET BURNED BY HELLFIRE (see s1's trial where Crowley and Aziraphale stood in for each other) he may not know the specifics, but he knows enough, and he's doing his best, and what he perceives as "the best" is pushing Crowley away and sacrificing his life on earth to go to heaven to try and make a difference.

If Aziraphale is emotionally intelligent, literally everyone has no chance.

I've seen people talk about Aziraphale having 'no emotional intelligence' and being a bad person/hating on him for the final fifteen/etc. HELLO? That final scene was all of his religious trauma (or whatever the equivalent is in angel terms) being pushed to the front because of his decision. Also no emotional intelligence??? Okay. Okay. Yeah, the incredibly autistic-coded character has "no emotional intelligence"? Not cool to say that imo. Aziraphale is insanely emotionally intelligent, but also struggles with six THOUSAND years of trauma and yearning and fear. I'm so passionate about understanding Aziraphale's decision and not hating him for it because it was necessary. Sorry this is so ramble-y, but it's kinda late and I needed to talk about something Good Omens related. Also it made me angry as an autistic Good Omens fan who loves that so many people agree Aziraphale is autistic.

[sevikas-biceps]

[TLDR: me attempting to make sense of the Arcane's eldritchness, which sounds ironic in hindsight but hear me out]

Revelation after revelation aside, there are many pieces of foreshadowing that tell us why Viktor's commune wasn't as great as it seemed.

Visually speaking, all the clues are right there.

The first thing we see of the slums of Zaun is this.

Vi, leading their little group, is astonished to find such a thing—and to think that Huck was there, serving as one of its ushers! Huck, who she immediately calls a filthy traitor; having succumbed to shimmer the last time she saw him—meaning he'd turned to Silco both literally and figuratively—what with his use of the drug and the fact that he'd ratted her and Caitlyn out to the tycoon.

Miss Ma'am is bamboozled.

How the hell did he end up there? At this...paradise? At the slums, which, only a few weeks or months ago; was still dark, dusty, violet, and violent!

Something has changed, obviously; and Huck himself admits that his past was him 'at his worst'. Simply awful. But the Herald had saved him. And because of that, he was leading a better life, now. Naturally, at this point, Vi and Jinx seem wary.

There's gotta be a catch, no?

The landscape and the characters exemplify this.

Let's start with the land itself. Look at how empty it actually looks. Yes, there's a field of flowers. Yes, there's a community, teeming with life. Yes, it's literally heaven. But the lighting. The colours. It's so...bleak. Like a dream. The mountains are green, but they're cast in grey and white; and added with the negative space, there's an eeriness to it that contrasts Piltover's version of an eutopia.

You can argue it being the vast resource difference, as Topside is the superior city for a reason, but the commune is still filled with numerous individuals with just as much creativity as their counterparts. Intelligent and sentient beings—people, with minds to set to whatever task may be at hand.

Now, let's think of the people.

The biggest difference between the two communities is this: the 'healed' of Viktor's paradise wear only one mode of dress: white. It's almost uniform—which is notable, as, previously in the episode, Viktor speaks of 'chaos'. We see how fascinated he was by the mess that Vander's psyche had become, and in an attempt at detangling that chaos, he was 'setting things right' inside the man's mind. Bringing him back to something resembling normalcy. Order.

This is particularly significant for the fact that, in the game, he's remembered for his philosophy on glorious evolution (also mentioned in the show, as we know)—which is centred on the enhancement of the human body to transcend its fleshly limits.

Piltover, in contrast—and by extension the 'unhealed' of Zaun—go against this code. We see shimmer addicts, we see corrupt individuals, we see bigoted populations, we see conflict between the cities. We see human nature at its finest. Even the episode titles, all the way from Season 1, display this.

S1E1: Welcome to the Playground S1E2: Some Mysteries are Better Left Unsolved S1E3: The Base Violence Necessary for Change S1E4: Happy Progress Day! S1E5: Everybody Wants to Be My Enemy S1E6: When These Walls Come Tumbling Down S1E7: The Boy Saviour S1E8: Oil and Water S1E9: The Monster You Created S2E1: Heavy is the Crown S2E2: Watch It All Burn S2E3: Finally Got the Name Right S2E4: Paint the Town Blue S2E5: Blisters and Bedrock S2E6: The Message Hidden Within the Pattern

Again, human nature. Colourful, tumultuous, unsynchronised. A need for knowledge. A need for violence. A need for change. A need for exploration. A need for control. Everything that we can have, we take.

That's the point of Viktor's quote:

I understand now. The message hidden within the pattern. The reason for our failures in the commune. The doctor was right—it's inescapable. Humanity. Our very essence. Our emotions—rage, compassion, hate. Two sides of the same coin, inextricably bound. That which inspires us to our greatest good is also the cause of our greatest evil.

It's a paradox.

This is a sophisticated conjuration. A singularity, simultaneously self-replicating and self-annihilating.

He wasn't just talking about the Arcane. It wasn't just about that 'voice' he and Sky heard when gazing at Jayce through Salo's eyes. It's also about humanity.

So, how does that relate to his commune?

Here's the thing: it looks like heaven, but later on, when Viktor dies and everyone else follows, it's practically limbo. It's liminal. Initially, you only have the vague sense that there's something off about it, but you can't tell what. It's filled with people, yet at the same time, it looks like it shouldn't have any to begin with. Mysterious. Suspicious. Almost dreadful; something that makes you realise: if you think about it too hard, you'd drive yourself insane.

There's something intrinsically natural about the commune, something untouched by human hands; but there's also something intrinsically human about it, something unnatural, cultivated in a way nature itself cannot replicate. That's the catch. It should be a balance of both. An ideal community would show this.

Viktor's connection to the Hexcore tells us that he's, in part, transcended both humanity and the natural world. He's breached the ineffable and the incomprehensible, and brought it into the existence(s) of those who could know of and experience it. Bringing 'paradise' to those who were never meant to realise what it was. Forcing onto them the Arcane, even when done with the best intentions.

For the suffering Zaunites, they have everything they could possibly want: food, water, shelter, rest, belonging, peace, survival; the life that they once could only dream of having. It's perfect. They don't have to be in pain, not anymore.

But the commune is isolated. This is very much seen in the gate symbolism: all are welcome, but once inside, you'll never want to leave. You'll never have to. Because to be cured by the hands of the Herald means to bear his mark. To be saved is to bind yourself to him.

The open archway is also a taunt: the gate is open, it'll always be open, but would you ever risk going back out? Would you really trade this for anything else?

Are you truly willing to leave paradise? Are you truly willing to part with the Arcane?

The Arcane, which had given them everything they'd yearned for through Viktor.

Now, see here: Vi catches a glimpse of Singed exiting Viktor's abode. It's presumably the healing tent, as his main 'bubble' (the place where he 'recharges', so to speak) is the one in the distance.

The point is: Vi sees Singed leave the healing tent. What makes this suspicious is the fact that the man left unhealed.

Note that, prior to this point, the sisters have reconciled and were even willing to stay in this little underground haven despite their initial scepticisms. They, just like everyone else, have been lulled into the comfort the commune provided. So, to see someone else suddenly exiting Viktor's watch—someone with no traces of the Herald's touch, someone who's still bandaged and deformed—is a wake-up call.

Why else would you go into the healing tent, to the commune, if not to have yourself cured or seek respite? Why is this man, who'd obviously be easier work to deal with compared to Vander, not 'saved'?

Vi follows him. Then, Singed leaves the commune entirely.

In her eyes, someone had willingly turned away from 'paradise'.

Logically, this begs the question: Why?

Because that's where the fantasy ends.

Right as Vi comes to the gate, the camera cuts to that Noxian spear upfront. A threat to the 'perfection' that existed within the borders. A reminder that the world outside still exists; a world that Viktor hasn't touched in its entirety, a world that still begs to be saved, a world that is still human at its core brimming and simmering.

That's the reason Viktor's named a herald: he's an omen. He'd brought about a transformation to those he healed. To the slums. Providing a drastic shift in people's lives (or whatever 'life' still counted for those he'd influenced) that left many devastated when Jayce blew a hole in his chest.

By spreading the use of the Arcane through other agents (again, the 'healed'), he essentially reproduced the effects of the power that he had at his disposal, while at the same time allowed himself to better comprehend how the Arcane worked—and by extension, allowed that very power to adapt.

But at the same time, he himself is also the key to undoing it.

From Jayce and Ekko, S2E3:

Viktor hypothesised that there may be something he called 'wild runes'. Patterns that occur naturally when the border between our world and the Arcane is thin. Runes like the ones you use in Hextech. What's the difference between those and wild runes? Pass me a tome. So, I used words you understood in order to elicit your action. This is what Hextech runes are. Pass me a tome. Pass me a tome! There—you sighed. Still a kind of language. A sound, but not words. Something raw; natural. That's wild runes. In most places, the Arcane is dormant—but here and there, it's more active. Wild runes are— —sort of like its fingerprints. Exactly! ...so, you're telling me: that pattern is on my tree, because you pissed the Arcane off with all your demands?

Viktor being infused with the Hexcore—which we can reasonably assume is a wild rune, as can also be seen with its matrix—makes it so that he himself acts as what a Hextech rune would do to it (the Hexcore). Through Viktor, the Arcane is refined, and in a process that doesn't completely destabilise (compared to pure Hextech, as can be seen with the weapons). For Viktor to lose control or to be harmed means making that magic either go wild (the weapons) or make it dissipate (the commune).

That's why the fantasy 'ends' at the entrance of the commune: anything past that is out of Viktor's reach, and remains 'untouched' by the Arcane.

From Jinx, S1E5:

So, all about these runes: they form some sort of mathy, magicky gateway...to the realm of heebie-jeebies. And this turns it on!

Say it again: the runes make a gateway. The Hexcore was a rune matrix, an array of wild runes that formed a singular entity. An entity which is now 'one' with Viktor. It means being the 'Herald' is also being the 'gateway' for the Arcane. The traditional role of a herald is to proclaim and carry messages; we don't know what message the Arcane itself wants to send, but we do know for a fact that Viktor is at least doing its work in creating that commune in the slums of Zaun.

From Singed, S1E6 & S2E6:

The mutation must survive. You must survive, Viktor.

The Machine Herald himself is self-replicating and self-annihilating. He can 'cure' the afflicted, thus infusing the Arcane into other individuals and replicating its structure inside them. And at the same time, the Arcane is also what 'kills' him—with Jayce using (what looked to be a mutated version of) the hexcrystal of his hammer to blow through Viktor's chest, where we know the Hexcore was placed during Jayce's revival of him in Act 1.

This is why the commune, despite its purpose as a safe haven, also exists as a place of great danger. Why it really isn't all That™, even despite Viktor creating it as a safe space for many.

See this exchange between Vi and Jinx:

This place...do you think it could actually work? Underground utopia, run by a skinny tin Machine Herald. Maybe when Piltover slides into the Sump.

Jinx was right in calling it for what it is, despite the words being in jest. A utopia. Working 'when Piltover slides into the Sump'.

It's an impractical scheme. Too perfect. Too good to be true.

An impossibility.

Do you believe in fate, Doctor? Our paths carved before us. Guided by an invisible hand? Not fate. Evolution. Nature's greatest force, forever in flux. No. Evolution has a destination. Not to combat nature, but to supersede it. The final, glorious evolution. But he isn't a specimen—he's a man. And he needs my help. I will not sacrifice his humanity for your cause. You may leave. Very well. But I assume you understand already: if you perish, this community is soon to follow.

Viktor understands. He understands. He just wasn't ready to admit it to himself when Singed said it.

I understand now. The message hidden within the pattern. The reason for our failures in the commune. The doctor was right—it's inescapable. Humanity.

Human nature and human essence aren't self-sustaining. That's why the Arcane was so effective in 'healing' all those people. Their humanity hampered them from healing themselves; both in the sense of the human bodily condition (the limits of the physical self), and in the sense of humaneness (of empathy, of choice). The human body cannot survive its own traumas without an artificial means of a cure (case in point: Vander). And the Arcane acted as its solution.

Mere instinct doesn't let you live—you need to learn how to direct your life after survival. To adapt. To grow. Humanity, self-replicating and self-annihilating; the escape from that cycle, that's the glorious evolution Viktor speaks of.

A utopia. Impossible and impractical. Humanity: that which inspires us to our greatest good, and the cause of our greatest evil.

[internally-screeching]

I'm writing an essay about Heathers the movie for school and why is no one talking about how gay they were in the movie??

Like I mean genuinely looking at it and going huh. I mean yes I want the two to kiss but like they way that everyone compared Heaters and Mean Girls no one goes wow Heather Chandler/Regina are so incredibly gay?!

Like in the movie Chandler is so genuinely possessive of Veronica. Whenever Veronica talks to J.D in the movie there Chandler dragging her away. She sees only Veronica as her equal in the movie too. She likes the other Heathers, and I'm sure is aware it's better to have those who could destroy hour socia, standong close but whenot comes to it Chandler genuinely thinks of Veronica as her only equal. In the lunch time poll she literally makes Heather Duke into a table for her only intellect equal in the group, Veronica.

When she meets J.D at the convenience store Chandler acts like a jealous girlfriend glaring at J.D and Veronica as the two flirt. She could just be annoyed that they're going to be late but she seems uncaring of others so it stands to reason she's jealous and possessive. This time she doesn't physically pull Veronica away from J.D but it has the same effect.

She and J.D are even foil characters two sides of the same coin in the role that they play in Veronica's life. Chandler tries to corrupt her with power and the ability to do whatever she wants. So long as Veronica and her standing side by side so long as they enforce the societal power. While J.D tries to corrupt her with power and the ability to destroy whatever she wants. So long as Veronica and him stand side by side and destroy the system. I mean honestly while Chandler is alive in the film she and J.D compete for the converted spot of the devil sitting on Veronica's shoulder and the object of Veronica's affection.

She doesn't seem to like any of the men, only acknowledging that she needs them to find her desirable to maintain her power at Westerburg High. She's only a junior and worshipped yes but she doesn't seem interested in pursuing a man like Regina or even the other Heathers. She's intent ln Veronica staying beside her side as her only equal.

Even when she dies she's uncaring of why Veronica is in her room (never mind the fact that Veronica knows her schedule and her so well she can tell you what she was meant to be doing and what she's doing instead) but Chandler is unbothered by Veronica, her hackles are raised again by J.D and J.D only. Obviously having a friend over isn't too weird but Chandler doesn't seem all that interested in hosting little get togethers at her house. When she drinks the cup she looks over St Veronica before she dies.

I mean even when forging her suicide note Veronica can tell J.D what words Chandler failed on her fucking spelling test?! I mean I'm still in high school (albeit my last year) but I assure you I've never known the exact words my friend has gotten wrong in a spelling test. Or even what questions someone got wrong in any test. And remembered that. Veronica and Chandler obviously spend a lot of time together. More so than just friends likely would.

I mean this is even exemplified when you think about Kirt's throw away line about a Veronica and Heather Chandler sandwich. For a man who then goes on to date rape Heather McNamara his immediate thought is that duo. Not the women he's attracted to for the next however long. Clearly Veronica and Chandler have to be pretty attached at the hip for this to be Kurt's immediate pairing (and yes I know he's just being a satirically gross hyper-masculine jock in this scene but you know).

And this should go without mentioning she is literally summoned to the cafeteria by Chandler. Yes this is just an example of the red Heather's power being able to call her underlings whenever she wants but she in the movie almost always outside of this is lushing away the other Heathers or other characters, outside of this summoning she is always trying to get others further away from her. Never closer.

To conclude, Heather Chandler is a repressed lesbian who has a crush on Veronica and instead of dealing with it like a normal teenager flirting she makes Veronica join her clique where she offers an intellectual equal and power and Veronica betrays her by choosing J.D over her and also killing her but less so.

[ladyofthelake]

more excellent and valid points

#PREV YEAH EXACTLY#his inability to show his care is i would argue one of his biggest flaws#and he hurt merlin (as well as others) many times because of it#he loves and cares so big and in his attempts to hide it he can be a massive ass#BUT! none of that erases his love and care . it just makes him all the more human#he’s flawed and is going to be messy and hurtful sometimes and it makes me love his character so much more because it makes him real via merthurogies

#like yeah of course not everything that arthur did to merlin was laced with sunshine’s and rainbows#but that’s? intricate character making for you?#he calls him a coward yeah#but he’s also constantly pushing merlin out of harms way or telling him to run#yeah he punches him#but there’s also a literal actual line in the show that reflects how he thinks of it as form of endearment#and someone might say#what about this specific scene and that specific scene#i’m sure not everything can be analysed down to its bone#but you know what can?#character#the overarching theme of arthur cared for merlin dearly#no matter what type you see it as the love WAS there#so yeah#i get it i do#he’s rough around the edges#but it’s almost like that’s the entire point#he can love and still do wrong just the same as merlin can love as still lie#at their cores they are good and they are kind etc etc but to expect to be always in the right is a little…unrealistic#it’s a tragedy pals#when will we finally get it via poisonedfate

I need to cleanse my brain after seeing such terrible takes on Arthur

People genuinely think at the core of their being and his that he is just an asshole who doesn't think Merlin is brave

(yet 5 minutes later drops everything because he has a dream or vision or whatever he thinks it was of Merlin and trusts him implicity to change their tactics at Camlann)

Like FOR THE LOVE OF CAMELOT I beg ya not to just get on the arthurs an ass train

YES he can be an ass and a prat but he is so much more so fucking much more than that and he loves Merlin to death (not even talking shipping here)

and if you can't see that and take his snarky or rude or hurtful things as gospel whilst being blind to the fact he was hurt when he said it AND DIDN'T FUCKING MEAN IT then there is no hope for you

[ramjam]

Hi... long time no NnT-Analysis.

I want to talk about Lancelot and Tristan's dynamic. I'll be putting it under a read-more so I don't spam your dashboard.

First, let's take a look at their designs.

Tristan's Signature Color: Blue-ish Teal

Lancelot's Signature Color: Pink-ish Red

According to color theory, these two colors complement one another. Nakaba utilizes complementary colors quite often in his designs. You'll notice this in many of the most important pairs. It's a visual way to emphasize the connection between two people.

The use of complementary colors goes as far as Lancelot's Sin disguise. When he takes that form, he wears a teal collar... Just like how Tristan wears a collar with Lancelot's red.

Both of them also got their hair colors from their mother, while the style is more similar to their fathers. They have what has been described as a "feminine" appearance. Lancelot is incredibly bothered by this, to the extent he tries really hard to present as masculine. Tristan on the other hand doesn't seem to be bothered by it himself.

Their first volume covers also mirror one another.

Their namesakes are pulled from Arthurian mythos. In some of the original stories, Lancelot and Tristan do act similarly as friends who are "two sides of the same coin" in a way. Fated companions who counter one another.

Going into actual plot stuff now. The way their stories are intertwined, the particular tropes their relationship embodies, and why it's important.

The growth of both of their characters is often explored through their connection. For example, Lancelot first learned to read hearts while dueling Tristan.

Ban references the moment Lancelot received his scar here. Tristan was so excited while dueling his friend, that he lost control of himself. The heightened emotions awakened the dark magic in him that he inherited from his father. Tristan blacked out, striking Lancelot.

This was a significant moment for both of them. Tristan and Lancelot both experienced an "awakening" here, which set them down their respective paths and cemented their bond.

Lancelot is quite literally marked by him. With this scar, there will always be apart of him that is irreversible tied to his relationship with Tristan.

Additionally, the fact Tristan had hurt and permanently scarred Lancelot is what triggered Tristan's anxiety about fighting. It affected him so deeply that he began to fear combat, instead wanting to pursue a path of healing. So that it would never happen again.

The bulk of this film takes place when they're both 14. Which is a few years after Lancelot initially went missing. He felt the need to hide his identity, but even in his disguise, he wanted to somehow push Tristan to his peak performance.

This illustrates how Lancelot never once viewed him as a threat. Tristan isn't a monster to him... He wants to see him exercise the strength that Tristan is so terrified of.

(I wish this site had CC, but Lancelot wolf-whistles at him before this line...)

Lancelot knows Tristan well enough to be aware that these fears would hold him back in combat. He takes action when they fight together, pushing and prodding him until he is forced to conquer that fear and act.

Tristan's hesitancy comes from his care for Lancelot. He's terrified at the thought of ever hurting him-- or anyone-- again. Lancelot sees this differently. He views Tristan's attitude as if he's viewing Lancelot as someone weak who needs protection. He has faith in Tristan's strength and never doubts him. But that faith only makes things more complicated when Tristan avoids facing him. Lancelot knows he's capable and he wants to be his equal in that regard.

Earlier, I referenced Ban's comment in the one-shot where he wonders if Lancelot's behavior at that time had to do with this duel. There's an implication that part of why Lancelot felt so restless and inadequate had to do with Tristan's rejection. This was worsened by the fact that Lancelot had learned to read hearts, so he could see what Tristan must've been thinking in that moment. Tristan's concern doesn't come from viewing Lancelot as weak, but that's how Lancelot interpreted his heart and his words.

Between that and being babied by his parents, he lashed out and ran away to "prove himself." Which is how he went missing to begin with.

He didn't want to stop like Tristan did. He wanted to keep going. Tristan's strength motivated him, but Tristan didn't return those feelings because of his own self-loathing.

In the end, Lancelot is the one who convinces Tristan to embrace his power. He vowed to be there to stop Tristan in case things ever go too far.

Lancelot reads Tristan's heart in this moment and smiles to himself.

Lancelot's love for his friend manifests through his desire to propel Tristan to his peak potential. Through Lancelot's affection, Tristan changes forever. His pure faith in Lancelot and his intentions was all he needed to conquer his fears. To him, he doesn't need to be worried about losing himself, because he has Lancelot.

Many years pass since this moment, but Tristan still views Lancelot as that anchor he needs by his side. Tristan's control over his power has grown significantly, but he still fears using it without Lancelot by his side.

Something interesting about their dynamic in the present day is the way the dynamic has flipped. While Tristan respects Lancelot's power, now he is the one feeling weak in comparison. This is also a testament to the strength of their bond. While Tristan feels they're no longer "equal", it doesn't drive a wedge in their relationship. He isn't resentful or jealous, it doesn't push him away from Lancelot. Their bond is too strong for that.

Not to mention, what seems to bother him more than anything else is the fact that Lancelot won't discuss how he gained this new power. He's bothered by the way his friend vanished without a word for so long, and now refuses to talk about what happened.

Regardless, this just means that Tristan trusts Lancelot's abilities without question. The moment he arrives, Tristan believes so strongly in his ability to win above anyone else. If anyone can defeat the King of Camelot, it will be his closest companion.

Circling back to Lancelot being his anchor: This is pretty common in fantasy Shounen. Leading characters who possess dark magic often have a partner who they rely on to bring them back down, or stop them from going too far and losing themself. However, you usually see it between the leading male main character and the female secondary protagonist... In fact, this is the exact dynamic Meliodas and Elizabeth had with each other in the original manga.

This dynamic came up frequently whenever Meliodas went full-demon mode. But this page from the Holy War arc in particular really reminds me of Lancelot's line where he says he'll "beat Tristan into the dirt if he has to."

Considering these two are Tristan's parents, you'd think the parallel with Tristan would be between him and Isolde, or something. But it's not. It's with Lancelot.

Their chemistry is so natural. They spend some time apart, but nothing really changes. The play off of each other so easily and understand each other so deeply.

Lancelot teases him for a lot of things. Being air-headed, being childish around his parents, etc. But it isn't mean-spirited, and Tristan knows that. It's just an aspect of their relationship and one of the ways Lancelot shows affection to people. That's Tristan's best friend who is mean to him, but he still calls him by a cute little nickname ("Lance.")

The implications that Tristan has called Lancelot out for being like his father before is really funny. Quick lines like this convey a lot about a relationship, it demonstrates that familiarity.

I have a lot more I could say about them, but Tumblr apparently has a 30 image limit per-post. I'm just really excited to see what comes next for them in the timeskip. I suspect all of these building themes are going to come together in some pretty important ways the closer that we get to the main conflict of the sequel.

This analysis isn't necessarily meant to be shippy... But I do ship them, lol... ❤️